Born in Anchorage, Alaska on July 28th, 1968, Anson grew up on Barinoff Island in the town of Sitka where he discovered his passion for drawing and painting at a very young age. It was in the 2nd grade that Anson met his life-long friend, Mark Tedin, with whom he still maintains a close friendship. While growing up, Mark Tedin, who would also become an illustrator, served as a source of inspiration and as friendly competition which likely served to bolster each other's skills and continued growth as artists through out the years. During Anson's junior high years, Art Instructor, Dan Newman, also played an influential role in encouraging and nurturing Anson's emerging talent.
Upon graduating from Sitka High School, in 1986, Anson left the island to pursue further art education at the University of Alaska, Fairbanks. With his major undeclared, and his tuition wholly self-funded he enrolled in whatever class he felt would broaden his reportoire of expression. His keen interest in anatomy and physiology had him even for a time seriously considering a path in surgical medicine. However, Anson's dedication to his art won out in the end and after a year and half at University of Alaska, Anson moved to Seattle, WA to attend Cornish College of the Arts.
At the time of enrollment, Cornish did not have an Illustration Department, still Anson was intent on studying there. Instead, he choose a hybrid of Graphic Design and Fine Arts courses, hoping to focus on illustration, which he felt lie somewhere between those two areas.
As an art student, Anson found illustration work by 'keeping as many lines in the water as possible," which first led to illustrating for a magazine, Technical Analysis of Stocks & Commodities. He went on to do considerable work for the Seattle Weekly and cover art for Pagan Publishing and illustrating the book Dark Dreamer. Anson simultaneously worked for a Seattle vintage clothing store, Dreamland, where he did custom painted leather jackets, whose clients included rock musicians, Queensryche. He designed logos and promotional material for fashion designer, Betsy Johnson and a stage backdrop for Jim Rose's Circus Sideshow. Other early clients included Seattle Supersonics.
Meanwhile, his artwork was gaining exposure through numerous shows and installation pieces at galleries, nightclub venues and retail stores through out the Seattle area.
Amidst so many promising avenues, it was through his work within the gaming industry, however, that Anson would realize his greatest notoriety.
At the suggestion of friend and fellow Cornish student, Andi Rusu, Anson submitted an illustration to Jesper Myrfors, whom was also studying at Cornish and worked for a small start-up gaming company called Wizards of the Coast. Jesper apparently liked what he saw and got Anson his first assignment at Wizards of The Coast illustrating a book titled “Thystram’s Collectanea” for the role playing game Talislanta. By this time, life-long friend Mark Tedin had finished up his college degree and joined Anson in Seattle to illustrate for “Thystram’s Collectanea” as well. From there both Maddocks and Tedin would go on to do a significant amount of work for Magic: The Gathering, beginning with their Alpha set, for which Anson illustrated a full 10% of the first edition cards.
Anson Maddocks has given this painting to the Verses team to exclusively mint as an NFT for the first time. This minting marks the passage of this image from the physical world into the Verses. This edition is the only Foundation Edition of Conservation of Minotaur that will ever be made.
As the holder of this NFT, you will receive free airdrops of future cards based on this art, including a Signature Edition.
You can play with this as a full art card in Verses games.
This piece was initially commissioned by a private collector with an interest in a fusion concept involving two previously published illustrations. I decided to depict a scene as derelict and uncomfortable as those two originals had been, only this time replacing what were human skeletal figures with those of Minotaurs in various states of decay.
My depiction of Minotaurs has always included extensive tribal inkings and ritual scarification. Without their intact flesh to consider, I chose to give those characteristic embellishments a supernatural presence in the air immediately surrounding each of them or hovering where they were meant to be when the creature had flesh to hold them.
This final digital montage incorporates selected elements which were photographed throughout the many stages, now hidden, that preceded the finished piece.
Anson Maddocks has given this acrylic painting to the Verses team to exclusively mint as an NFT for the first time. This minting marks the passage of this image from the physical world into the Verses. This edition is the only Foundation Edition of Arc Angel that will ever be made.
As the holder of this NFT, you will receive free airdrops of future cards based on this art, including a Signature Edition.
You can play with this as a full art card in Verses games.
The original artwork has a very personal story attached to it. It is the story of my brother, Jerry Howell, aka Smiley, who was a welder. On October 7th, 2014, Anson flew from Seattle to Las Vegas to meet my parents for the first time. That same evening, we were awoken by a local sheriff who came to notify us that my brother had been murdered in our hometown of Port Angeles, Washington.
Anson began creating this artwork while we were in Port Angeles awaiting the sentencing of the individual responsible for my brother’s death. Anson never got to meet my brother but he was all too aware of how our family suffered in the wake of my brother’s death. Anson gave the original artwork to my parents as a gift, which they have proudly displayed on their living room walls ever since.